Buena Vista Social Club

Cuando, en 1996, Ry Cooder viajó a Cuba para grabar un álbum con Ibrahim Ferrer y el resto de músicos que le habían acompañado antes en el disco Buena Vista Social Club y que en Cuba son conocidos como los Super-abuelos, Wenders le siguió con un reducido equipo de filmación. El cineasta alemán observó a los músicos en el estudio y rastreó sus vidas en La Habana, para después continuar rodando en Amsterdam, donde Buena Vista Social Club ofreció dos conciertos, y finalizar en Nueva York, con un recital espectacular en el legendario Carnerie Hall.

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Filesize: 1400.97 Mb
Play length: 01:40:37
Video: 720x384 (1.88:1), 25 fps, XviD build 43 ~1169 kbps avg, 0.17 bit/pixel
Audio : 48 kHz, AC3 Dolby Digital, 3/2 (L,C,R,l,r) + LFE ch, ~384.00 kbps avg

In 1996, composer, producer, and guitar legend Ry Cooder entered Egrem Studios in Havana with the forgotten greats of Cuban music, many of them in their 60s and 70s, some of them long since retired. The resulting album, Buena Vista Social Club, became a Grammy-winning international bestseller. When Cooder returned to Havana in 1998 to record a solo album by 72-year-old vocalist Ibrahim Ferrer, filmmaker Wim Wenders was on hand to document the occasion. Wenders splits the film between portraits of the performers, who tell their stories directly to the camera as they wander the streets and neighborhoods of Havana, and a celebration of the music heard in performance scenes in the studio, in their first concert in Amsterdam, and in their second and final concert at Carnegie Hall. The songs are too often cut short in this fashion, but Buena Vista Social Club is not a concert film. Wenders weaves the artist biographies with a glimpse of modern Cuba remembering its past, capturing a lost culture in music that is suddenly, unexpectedly revived for audiences in Havana and around the world. Wenders makes his presence practically invisible, as if his directorial flourishes or off-screen narration might deflect attention from the artists, who do a fine job of telling their own stories through interviews and music. It's a loving portrait of a master class in Cuban music, with a vital cast of aging performers whose energy and passion belie their years.